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Getty Images, fiftyfifty (magazine for homeless people)

Repicturing Homeless

DüSSELDORF
2018
2018
Entrant Company
Havas Germany
Medium
Public Relations
Category
Cause Related
Entry Type
Product/Service
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Credits
Agency NetworkHavas Worldwide
Holding CompanyHavas
Production CompanyHavas Düsseldorf
Advertiser BrandGetty Images DevCo Deutschland GmbH
Entrant CompanyHavas Germany
Production Company (additional)Chamaeleon Digital Vision GmbH
Production Company (additional)Studio Funk GmbH & Co KG
CCO Group Germany, ECD EuropeEric Schoeffler
CCO Düsseldorf, ECD Digital EuropeDarren Richardson
Creative DirectorJuan Leguizamon
Creative / Art DirectorTiago Beltrame
Creative / CopywriterNian He
Management SupervisorDaniel Grube
Senior Account ManagerAnna Berg
ProducerJulian Dormis
Junior Art Director MotionDominic Rutkowski
Digital Creative OfficerGuido Eichhoff
Digital ConcepterErik Teichert
Digital Art DirectorAdrian Warren
Head of Digital Print ServicePeter Holzportz
Final ArtworkDavid Ochsenknecht
Final ArtworkJonas Boamah
PhotographerFrank Schemmann
Managing DirectorOliver Rudolph
DirectorKevin Krefta
ProducerChristian Käutner
EditorNico Dupon
EditorRouben Pohl
EditorKai Wittkamp
Motion GraphicsRonny Bülow
Motion GraphicsHendrik Vosskamp
ColoristArne Hottgenroth
ComposerFranco Tortora
ComposerWoepf Lechenmayr
ComposerTom Batoy
ComposerRaffael Karg
Studio ManagerTobias Grumbach
Sound EngineerMichael Righetti
Project ManagementStefanie Schneider
Voice OverStephen Hudson
Hair & Make-up ArtistBarbara Lange
Hair & Make-up ArtistTina Schmoll
Hair & Make-up ArtistFranziska Sonnabend
StylingNina Jasny
StylingChristina Schuller

This 2018 Clio Awards Silver winning entry titled 'Repicturing Homeless' was entered for Getty Images, fiftyfifty (magazine for homeless people) by Havas Germany, Düsseldorf, part of agency network: Havas Worldwide and holding company: Havas. The piece was submitted to the medium: Public Relations within the entry type: Product/Service and the category: Cause Related. It consists of 1 video and 1 image.

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